Movies

Movies

Monday, 9/1

Entertainment Cinemas

Guardians of the GalaxyPG-13

7:00pm (3D)

Teenage Mutant Ninja TurtlesPG-13

1:00pm

BoyhoodR

3:30pm

The Expendables 3PG-13

12:45pm, 3:45pm, 7:00pm

Tuesday, 9/2

Entertainment Cinemas

Magic in the MoonlightPG-13

12:45pm, 3:45pm

Sin City: A Dame to Kill ForR

6:45pm (3D)

The GiverPG-13

1:15pm, 4:00pm, 7:00pm

Martha's Vineyard Film Center

IdaPG-13

7:30pm

Wednesday, 9/3

Entertainment Cinemas

The Hundred-Foot JourneyPG

1:00pm, 3:45pm

Get On UpPG-13

3:30pm, 6:30pm

Sin City: A Dame to Kill ForR

1:15pm (3D), 6:45pm

Martha's Vineyard Film Center

Land Ho!R

7:30pm

Thursday, 9/4

Entertainment Cinemas

BoyhoodR

3:00pm, 6:30pm

The Expendables 3PG-13

3:30pm, 6:45pm

Martha's Vineyard Film Center

The Trip to ItalyNR

5:30pm

the-trip-to-italy

The Trip to Italy

Martha's Vineyard International Film Festival screening: Michael Winterbottom's largely improvised 2010 film, The Trip, took comedians Steve Coogan and Rob Brydon-or semifictionalized versions thereof-on a restaurant tour around northern England. In this witty and incisive follow-up, Winterbottom reunites the pair for a new culinary road trip, retracing the steps of the Romantic poets' grand tour of Italy and indulging in some sparkling banter and impersonation-offs. Rewhetting our palates from the earlier film, the characters enjoy mouthwatering meals in gorgeous settings from Liguria to Capri while riffing on subjects as varied as Batman's vocal register, the artistic merits of "Jagged Little Pill," and, of course, the virtue of sequels. Winterbottom trains his camera to capture the idyllic Italian landscape and the gastronomic treasures being prepared and consumed while keeping the film centered on the crackling chemistry between the two leads. The Trip to Italy effortlessly melds the brilliant comic interplay between Coogan and Brydon into quieter moments of self-reflection, letting audiences into their insightful ruminations on the nuances of friendship and the juggling of family and career. The result is a biting portrait of modern-day masculinity. (c) IFC Films
land-ho

Land Ho!

Martha's Vineyard International Film Festival screening: A pair of 60-something ex-brothers-in-law sets off on a road trip through Iceland, hoping to reclaim their youth. Their picaresque adventures, from trendy Reykjavík to rugged outback, are a throwback to classic bawdy road comedies as well as a candid exploration of aging, loneliness, and friendship.(c) Sony Classics
Ida

Ida

Martha's Vineyard International Film Festival screening: From acclaimed director Pawel Pawlikowski (Last Resort, My Summer of Love) comes IDA, a moving and intimate drama about a young novitiate nun in 1960s Poland who, on the verge of taking her vows, discovers a dark family secret dating from the terrible years of the Nazi occupation. 18-year old Anna (stunning newcomer Agata Trzebuchowska), a sheltered orphan raised in a convent, is preparing to become a nun when the Mother Superior insists she first visit her sole living relative. Naïve, innocent Anna soon finds herself in the presence of her aunt Wanda (Agata Kulesza), a worldly and cynical Communist Party insider, who shocks her with the declaration that her real name is Ida and her Jewish parents were murdered during the Nazi occupation. This revelation triggers a heart-wrenching journey into the countryside, to the family house and into the secrets of the repressed past, evoking the haunting legacy of the Holocaust and the realities of postwar Communism. In this beautifully directed film, Pawlikowski returns to his native Poland for the first time in his career to confront some of the more contentious issues in the history of his birthplace. Powerfully written and eloquently shot, IDA is a masterly evocation of a time, a dilemma, and a defining historical moment; IDA is also personal, intimate, and human. The weight of history is everywhere, but the scale falls within the scope of a young woman learning about the secrets of her own past. This intersection of the personal with momentous historic events makes for what is surely one of the most powerful and affecting films of the year.
the-giver

The Giver

The haunting story of THE GIVER centers on Jonas (Brenton Thwaites), a young man who lives in a seemingly ideal, if colorless, world of conformity and contentment. Yet as he begins to spend time with The Giver (Jeff Bridges), who is the sole keeper of all the community's memories, Jonas quickly begins to discover the dark and deadly truths of his community's secret past. With this newfound power of knowledge, he realizes that the stakes are higher than imagined - a matter of life and death for himself and those he loves most. At extreme odds, Jonas knows that he must escape their world to protect them all - a challenge that no one has ever succeeded at before. THE GIVER is based on Lois Lowry's beloved young adult novel of the same name, which was the winner the 1994 Newbery Medal and has sold over 10 million copies worldwide. (C) Weinstein
expendables-3

The Expendables 3

In THE EXPENDABLES 3, Barney (Stallone), Christmas (Statham) and the rest of the team come face-to-face with Conrad Stonebanks (Gibson), who years ago co-founded The Expendables with Barney. Stonebanks subsequently became a ruthless arms trader and someone who Barney was forced to kill... or so he thought. Stonebanks, who eluded death once before, now is making it his mission to end The Expendables -- but Barney has other plans. Barney decides that he has to fight old blood with new blood, and brings in a new era of Expendables team members, recruiting individuals who are younger, faster and more tech-savvy. The latest mission becomes a clash of classic old-school style versus high-tech expertise in the Expendables' most personal battle yet. Lionsgate and Millennium Films present a Nu Image production. (C) Lionsgate
Boyhood

Boyhood

Filmed over 12 years with the same cast, Richard Linklater's BOYHOOD is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible to watch Mason and his family without thinking about our own journey. (c) Sundance Film Fest
Sin-City

Sin City: A Dame to Kill For

Co-directors Robert Rodriguez and Frank Miller reunite to bring Miller's visually stunning "Sin City" graphic novels back to the screen in SIN CITY: A DAME TO KILL FOR. Weaving together two of Miller's classic stories with new tales, the town's most hard boiled citizens cross paths with some of its more notorious inhabitants. SIN CITY: A DAME TO KILL FOR is the follow up to Rodriguez and Miller's 2005 groundbreaking film, FRANK MILLER'S SIN CITY. (c) Dimension Films
magic-in-the-moonlight

Magic in the Moonlight

Chinese conjuror Wei Ling Soo is the most celebrated magician of his age, but few know that he is the stage persona of Stanley Crawford (Colin Firth), a grouchy and arrogant Englishman with a sky-high opinion of himself and an aversion to phony spiritualists' claims. Persuaded by his friend, Howard Burkan (Simon McBurney), Stanley goes on a mission to the Côte d'Azur mansion of the Catledge family: mother Grace (Jacki Weaver), son Brice (Hamish Linklater), and daughter Caroline (Erica Leerhsen). He presents himself as a businessman named Stanley Taplinger in order to debunk the alluring young clairvoyant Sophie Baker (Emma Stone) who is staying there with her mother (Marcia Gay Harden). Sophie arrived at the Catledge villa at the invitation of Grace, who is convinced that Sophie can help her contact her late husband, and once there, attracted the attention of Brice, who has fallen for her head over heels. What follows is a series of events that are magical in every sense of the word and send the characters reeling. In the end, the biggest trick MAGIC IN THE MOONLIGHT plays is the one that fools us all. (C) Sony Pictures Classics
get-on-up

Get On Up

In his follow-up to the four-time Academy Award (R)-nominated blockbuster The Help, Tate Taylor directs 42's Chadwick Boseman as James Brown in Get on Up. Based on the incredible life story of the Godfather of Soul, the film will give a fearless look inside the music, moves and moods of Brown, taking audiences on the journey from his impoverished childhood to his evolution into one of the most influential figures of the 20th century. Boseman is joined in the drama by Viola Davis, Octavia Spencer, Nelsan Ellis, Lennie James, Tika Sumpter, Jill Scott and Dan Aykroyd.
Hundred-foot-journey

The Hundred-Foot Journey

In "The Hundred-Foot Journey," Hassan Kadam (Manish Dayal) is a culinary ingénue with the gastronomic equivalent of perfect pitch. Displaced from their native India, the Kadam family, led by Papa (Om Puri), settles in the quaint village of Saint-Antonin-Noble-Val in the south of France. Filled with charm, it is both picturesque and elegant - the ideal place to settle down and open an Indian restaurant, the Maison Mumbai. That is, until the chilly chef proprietress of Le Saule Pleureur, a Michelin starred, classical French restaurant run by Madame Mallory (Academy Award (R)-winner Helen Mirren), gets wind of it. Her icy protests against the new Indian restaurant a hundred feet from her own, escalate to all out war between the two establishments - until Hassan's passion for French haute cuisine and for Mme. Mallory's enchanting sous chef, Marguerite (Charlotte Le Bon), combine with his mysteriously delicious talent to weave magic between their two cultures and imbue Saint-Antonin with the flavors of life that even Mme. Mallory cannot ignore. At first Mme. Mallory's culinary rival, she eventually recognizes Hassan's gift as a chef and takes him under her wing. (c) Disney