Fanny Howe: Glorious perservance

By Justen Ahren
Published: June 11, 2009

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Poetry is a way for humans to relate to the world. More than heard or read, it is to be experienced. The poetry of Fanny Howe, a 68-year-old West Tisbury resident, has for all her life been translating the human condition from words to feeling.

Fanny Howe, Martha's Vineyard
Fanny Howe spoke at the Pegasus Award ceremony last month. Photo courtesy of Belen Aquino

Last month the Poetry Foundation awarded the Ruth Poetry Prize to Ms. Howe, with its $100,000 award. It is given annually to a United States poet for lifetime accomplishment. In announcing the Lilly Prize, Christian Wiman, editor of Poetry magazine, said: "Fanny Howe is a religious writer whose work makes you more alert and alive to the earth, an experimental writer who can break your heart."

The prize-winning author of more than 20 books of fiction, poetry, and critical essays, Ms. Howe was introduced to poetry at an impressionable age. She began writing as a teenager as a way to make a space for herself in a creative and accomplished Cambridge family: her father, Mark DeWolfe Howe, a distinguished law professor at Harvard; her Irish-born mother, Mary Manning, a playwright and actress who played in the Abbey Theatre of Dublin, and was a founder of the Poets' Theatre in Cambridge; and her older sister, Susan Howe, a poet. For her 16th birthday, she received an anthology of modern poetry from her sister, and still brightens at the memory: "I just fell in love with it."

Unday

By Fanny Howe

From no nowhere not near the sea
on blue field flax
the cemetery's absolutely solitary
you and you and a third
of a pound of bread
for supper in the refectory
where I would die of hunger
if you - if soon - if on this unday - one
undoing would be undone

And she spent her adult life as a poet, moving from Boston to Calilfornia to attend Stanford University in the late 1950s, to New York, drawn by the Beat poetry, and later, Language Poets - an avant garde movement she was influential in creating. Back in Boston in the mid-1960s, she worked for the Congress of Racial Equality, and helped publish a literary magazine, "Fire Exit," where she met and married one of Carl Senna, a half-black, half-Chicano writer at the magazine. Their bi-racial relationship, and her embrace of Catholicism had a major impact on her work.

"It changed my view of the other side of history," Ms. Howe says. "I was watching the world with new eyes, and seeing the world through my husband's eyes, and it was not the same place."

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