Music : KCT Concerts presents Buille

By Daniel Waters
Published: November 19, 2009

November's gale-blown woodsmoke and foreboding skies call for a certain stripe of bleak and brooding music. This Friday, Nov. 20, KCT Concerts meets the challenge with a world-class Celtic lineup whose tunes will be quite at home alongside our autumn sea.

Karen Casey, Martha's VineyardSinger Karen Casey, formerly with Solas, will perform with Buille at the Katharine Cornell Theatre tomorrow, Friday, Nov. 20. Photo courtesy KCT Concerts

Like all Irish groups worthy of the name, the musicians come equipped with tongue-baffling, memory-defying monikers. Buílle (pron. bwee-luh) is made up of Niall Vallely (concertina), his younger brother Caoimhín Vallely (piano), and completed with Ross Martin (guitar). Formed in 2004, Buílle has just released their second album, this one on Crow Valley Music. The new label was recently set up in collaboration with Karan Casey, who joins them in their Vineyard concert.

Although Buílle is Irish for "beat," percussion is rarely overt in the band's music. Instead, many of Buílle's tunes are shot through with a crisp sense of time that is all the more compelling for what is felt, agreed on, and then not played. It is sophisticated, and puts the listener at full attention. A far cry from the sort of coy, insipid Irish pub music that tries to wink its way to your heart, Buílle's sound impresses the hard way: through serious virtuosity, dedicated musicianship, and a tightness won through close attention.

Niall and Caoimhin Vallely, Martha's VineyardBrothers Niall and Caoimhin Vallely of Buille.

Favoring minor keys and original compositions, the musicians twist clean, delicate threads of melody into an intimate conversation almost classical in its thrift. Niall Vallely is the group's composer. His instrument is most earnestly the concertina, a modest traditional squeezebox that quickly earns respect in his hands. Buílle's sonic philosophy is encapsulated in the way Mr. Vallely commands small sounds, shaping them with intelligence and humor. There is even a song where his concertina imitates its American cousin, the blues harmonica, to surprising effect.

Caoimhín Vallely brings a contemporary jazz sensibility to his piano playing. Imagine Keith Jarrett going Celtic for an evening, and you have some idea of Buílle's classical keyboard underpinning. Harmonically adventurous and rhythmically adept, Caoimhín's keyboard channels piano sound with economy and restraint, the way his brother's concertina keys channel the wind. The two instruments could not be more different, yet more perfect together.

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